Preface
Introduction
Chapter One
Duplicate Language:
Paradox, Parody, and Self-Parody
Chapter Two
Away from the Centre:
Performative Force in "Lord Arthur Savile's Crime"
Chapter Three
Transformation of Society:
Critic and Artist in the Critical Writings
Chapter Four
Ecriture and Reinscription:
Homosexual Desire in The Portrait of'Mr. W H.
Chapter Five
Multiplicity. Aporia, and Absence:
Perverted Discourse in The Picture of Dorian Gray
Chapter Six
Subversion of Sexual Border:
Deferra] and Disruption in Salome
Chapter Seven
Nothing [is] Nothing:
Empty Signifiers in The Importance of Being Earnest
Conclusion
Bibliography